Take Magazine: “New Urban Arts: Bigger and Better”

Take Magazine Article on New Urban Arts’ Expansion, coverage on our newly renovated studio space. The basement expansion at New Urban Arts brings new opportunities to students and emerging artists at a time when the organization is focusing on innovative ways to serve the ever-diversifying Providence community.


TAKE MAGAZINE | OCTOBER 10, 2016 | JOHN ARVANITIS

 

The folks at New Urban Arts are very very busy. On top of their rigorous, year-round educational arts programming and workshops for young and emerging artists, they’re celebrating their 20th anniversary AND expanding their space. New Urban Arts’ diverse audience, staff, and programming is poised to greatly benefit from this new expansion.

New Urban Arts’ basement addition to their building in downtown Providence is the product of many individual and organizational efforts. After receiving a grant from the state of Rhode Island through the Rhode Island State Council on the Arts in 2015, and matching funds from local and regional donors, New Urban Arts was able to plan and begin their expansion. Daniel Schleifer, executive director of New Urban Arts, pointed out that all stakeholders were involved in the design process of the new space, “…[we received] feedback from students, volunteer artist mentors, staff, the board of directors and key organizational partners.”

The basement expansion at New Urban Arts brings new opportunities to students and emerging artists at a time when the organization is focusing on innovative ways to serve the ever-diversifying Providence community. In addition to their new digital media lab, “The biggest thing is that we now have a dedicated space in the building for music. Music and music production has been a huge area of interest for our students for years, but we’ve never had a place where we could meaningfully offer that educational experience.”

According to Daniel, this new expansion will be pivotal for the continuation of the New Urban Arts mission, “We’re helping to cultivate an atmosphere in Providence where younger artists of color feel more ownership of the arts scene and are more likely to approach cultural gatekeepers with proposals for shows or work. On the other side, hopefully, we’re creating circumstances where those kind of gatekeepers are going to be more open to those young people.”

New Urban Arts will celebrate their 20th anniversary and grand opening of the new expansion October 7 at 705 Westminster Street.
 
Original Article
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Conversation on Creative Practice

Organized and curated by Arts Mentoring Fellows Emmy Bright and Kedrin Frias, the Spring 2012 Conversation on Creative Practice Series concludes on Thursday, April 26 from 7-9pm with True Language, featuring writers Mary-Kim Arnold and Matthew Derby talking about balancing art, family and redefining notions of success. 

This event is free and open to the public. Snacks and refreshments will be served. For more information read Mary-Kim’s blog here or visit our website.

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Conversation Series on Creative Practice

Join us for the second Conversation in the 2012 series of Conversations on Creative Practice: A Reading and Conversation with Al Burian, of the zine Burn Collector on “How to be a Famous Writer Without Making Any Money or Having Anyone Know Who You Are” Al Burian is the author of the long-running personal zine Burn Collector. His work has garnered praise from such legitimate institutions as the Utne Reader and McSweeneys Best Nonrequired Reading. Beginning in the mid-nineties, Burian has distributed his work through the tight-knit network of the DIY punk music/art scene. He has published 16 issues of the zine, two anthologies, and a book of comics. He has been doing reading/speaking performances since the year 2000. Burn Collector #16 (April 2012) is sub-titled “Music and Mania,” and examines the intersection between creativity and losing your marbles. Street musicians, arena rock, classical vs. computers, Little Richard vs. Elvis, and a wide variety of other topics are discussed as Burian contends that “the modern musician is essentially a maniac, living on a delusional dream, whose basic project– putting forth a unique voice into the general din and calamity of the oversaturated information age– has so little chance of success as to make it an act of ultimate, incredible optimism.” The zine contains comics, essays, reviews, and interviews with musician Tim Remis and radical mental health activist Sascha DuBrul.

 

Author bio:
Born 1971 in New Hampshire (state motto: “live free or die”); grew up in North Carolina (state motto: “to be and not to seem”); was an iconoclastic character at an early age. In his early twenties he began touring incessantly with bands, simultaneously producing small-run photocopied pamphlets (“zines”). He has published two collections of his zine output, Burn Collector (2000) and Natural Disaster (2007), as well as a book of comics, Things Are Meaning Less (2003).
He lives in Berlin.

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Sandra Olson Winners

For the past ten years, New Urban Arts has recognized individuals and organizations that demonstrate extraordinary commitment to New Urban Arts through the Sandra Olson Awards. Extraordinary contributions of time, expertise, money, energy, or support – often given without solicitation – qualify recipients. The award’s namesake, Sandra Olson, once mailed New Urban Arts a $2 check each week over the course of two years. Her gifts totaled over $250.

This year’s awards will be presented at New Urban Arts’ Annual Campaign fundraiser on Thursday, April 12, 7PM as we celebrate New Urban Arts’ fifteenth birthday. Please join us in our celebration and help us congratulate the 2012 Sandra Olson Award winners!

 2012 SANDRA OLSON WINNERS

Sara Bergman, alumni artist mentor and volunteer
Sara has continued to stay involved as a volunteer, donor and friend since being an artist mentor. She launched the Bergman Fund, an endowment to support RISD artist mentors at New Urban Arts and has been a dedicated volunteer leader in our capital campaign.

Emily Ustach, alumni artist mentor and volunteer
Emily has played a variety of roles at New Urban Arts, volunteer, artist mentor, and staff member. Last year, she voluntarily led a committee of advisors to help New Urban Arts prepare its programming for a new space and manage our rising youth enrollment. 

Site Specific, business
The Site Specific team went above and beyond in renovating New Urban Arts’ new home, finishing under budget, securing in-kind donations from vendors, and most importantly, building a beautiful and inspiring permanent space for our youth and artists. www.sitespecificllc.com

Emmy Bright, Arts Mentoring Fellow
Emmy has contributed an extraordinary number of hours, far more than expected, to our students and artist mentors. She invests deeply in the organization and the people in it. She asks more of herself than we ever could.

Noel Puello, student
Noel is a graduating senior admitted to several colleges including Parsons School of Art and Design and Massachusetts College of Art.

Noel has been an active student for several years and one of our most dedicated ambassadors. “Noel has made contributions to both New Urban Arts and Providence that I have never seen before in a high-school student. Noel is possibly the most courageous person I know.” -Nominee

Past winners are:
2002 – Peter Hocking, Jephry Floral Studio, Marly Louis, Echoing Green Foundation
2003 – Kathleen Connolly, Jason Yoon, Gasbarro’s Wines
2004 – Jesse Banks III, White Electric, Craftland
2005 – Michael Fournier, Kedrin Frias, Jennifer Rice, Cornish Associates
2006 – Priscilla Carrion, White Whale Web Services, Tamara Kaplan, Judy Vilmain
2007 – John Tabor Jacobson, Mary Adewusi, Esther Chak, Simon Moore, Jack Richter
2008 – Sarah Meyer, Myrth York, Aneudy Alba, Andrew Oesch
2009 – Deborah Obalil, Mathias Arling, Vilmain Inc., Erik Gould
2010 – Angelo Manioudakis, Andy Cutler, Rosalia Velis
2011 – Jane Androski , Virginia Branch, Jay Glasson, CJ Jimenez, Susan Smulyan

Congratulations to Sara, Emily, Site Specific, Emmy and Noel! We are so grateful for all of your work!

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Interested in being an Arts Mentoring Fellow?

Attend Fellowship Information Sessions to learn more about this opportunity on Monday April 16, 2012 from 7-8pm or Wednesday April 25 from 6:00 – 7:00pm, located at 705 Westminster Street in Providence, RI. 

New Urban Arts will award 2012-13 fellowships to two established artists and educators in a yearlong position to (1) support artist mentors who volunteer to mentor high school students in the arts; (2) bring their creative practice to our community art studio as an artist in residence, and (3) explore and share intersections and ideas across creative practice and community practice as a reflective practitioner and active presence in the New Urban Arts studio. The fellows jointly curate New Urban Arts Conversations, a public series in which diverse individuals share how they integrate creativity into their personal and professional lives. 

The fellowship is a yearlong commitment of approximately 15-20 hours per week that begins October 1 and ends June 1, with an opportunity for a one-year renewal.Fellows receive a financial stipend, studio space and the opportunity to investigate and explore the intersection of creative practice and community practice within a nationally recognized community art studio. 

Click here for the RFP due May 1, 2012. 

Click here for details on Fellow roles and responsibilities.

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Announcing the Spring 2012 Conversations Series!

Organized and curated by Arts Mentoring Fellows, Emmy Bright and Kedrin Frias, New Urban Arts is excited to announce the Spring 2012 Conversation Series on Creative Practice. 

Our annual series of public Conversations are held in March and April from 7:00-9:00pm at our art studio, located at 705 Westminster Street in Providence. Free and Open to the Public. Refreshments served. 

Wed March 28: From the Page to the Stage: Shedding a Light on Spoken Word and Improv Performance Artwith Jorge Vargas and Rudy Cabrera.

Thurs April 5: How to be a Famous Writer Without Making Any Money or Having Anyone Know Who You Arewith Berlin-based writer, musician and comic book artist, Al Burian, most known for his long-running zine, Burn Collector. Also featuring Cafe Intelligencia! 

Thurs April 26: True Language with writers Mary-Kim Arnold and Matthew Derby about balancing art, family and redefining notions of success.

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New Urban Arts Studio Oath

THE MANIFESTO OF CONTINUAL REBIRTH

I AM ALIVE! I AM AN ARTIST! 

THIS IS MY OATH:

I WILL TREAT THOSE AROUND ME 
WITH THE SAME RESPECT
THAT I WISH TO RECEIVE

I WILL MEET NEW PEOPLE
I WILL MAKE NEW FRIENDS
I WILL BE BRAVE
I WILL TAKE RISKS
I WILL EMBRACE FAILURE!

I WILL OFFER MY HELP TO THOSE WHO NEED IT
I WILL ASK FOR HELP WHEN I NEED IT

AS I STAND HERE I SEE THAT THIS IS STUDIO IS OUR HOME
AND LIKE THE EARTH IT PROVIDES A BOUNTY OF RESOURCES
BUT I KNOW THESE RESOURCES ARE LIMITED 
AND THAT I MUST SHARE THEM WITH OTHERS

AND I WILL NOT WASTE THEM!

I WILL TAKE ONLY WHAT I NEED AS I NEED IT
AND NOTHING MORE!

I WILL CLEAN UP AFTER MYSELF! (3X)

I WILL HELP OTHERS TO DO THE SAME
WE WILL HOLD OURSELVES ACCOUNTABLE
IN TAKING CARE OF THIS, OUR NEW HOME

FINALLY AND MOST IMPORTANT OF ALL
I WILL MAKE AS MUCH ART AS POSSIBLE!

I WILL EXHAUST MY MUSE!
AND THEN MAKE MORE!

THIS IS MY OATH!

I AM AN ARTIST! 
I AM ALIVE!
WE ARE NEW URBAN ARTS!

 

Mid Year Makings opens this Friday!

Don’t miss our annual mid-year show of student artwork, Mid Year Makings, opening on Friday, Feb. 17, 5-8pm. Witness brainstorms, beginnings, and the blooming of mid-year makings in this interactive exhibition of student artwork. This event is free and open to the public.

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New Urban Arts presents another new publication!!

“Encounter” is a program resource guide based on New Urban Arts’ Summer 2010 Art Inquiry with artist mentors Jane Androski and Alice Costas as well as artist/scholar in residence Laurencia Strauss. 

The 86 page paperback book (7.44″ x 9.68″) with saddle-stitch binding and full-color interior ink costs $22.70. To purchase a copy of the book, visit our Lulu store here. The resource guide can be downloaded as a pdf at no cost. 

This publication is one of a series produced annually. The program model reflects research from the National Summer Learning Association, which describes that the most effective summer learning environments allow students “freedom to digress from a prescribed curriculum” through project based learning and encourages sustained in-depth exploration of one theme. 

We hope you find this resource guide useful in sparking new ideas for your own creative practice, individually, collaboratively or even in the classroom. The publication’s format allows readers to adapt, combine or alter the activities to your liking to best meet the needs of your specific environment.

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Math and my creative practice

In 2009, I was one of the first math and science Studio Study Buddies at New Urban Arts.

At first, it was hard to find my place in an art studio. But New Urban Arts helped me to see that the math I’d been doing for fun was actually part of my “life-long creative practice.” In third grade, I invented “Fibbly,” a set of rules that generates short sequences of numbers. Over the years, I’d made drawings and music based on those sequences. The staff here encouraged me to show it in the Fall 2009 mentor exhibition:

Talking with students at New Urban Arts about the project helped me see Fibbly’s potential as a teaching tool. Two years later, I shared it again at an elementary school in Maine. Seeing a classroom full of fourth-graders excited about math was an incredible feeling.

I owe that experience to New Urban Arts. As a former mentor, you know firsthand how special this place is, both for the students and for us adults. This year, I’m making a personal gift to New Urban Arts’ annual campaign and I hope you’ll join me.

Thank you. I’m proud to be part of a community of talented and passionate people (you!) who are working to empower youth and improve our world.

 

Cardboard Pancakes!

 A winter-time studio sale. 

December 17th, 11AM-4PM at New Urban Arts 705 Westminster St, Providence. 

Cardboard Pancakes will play host to an awesome group of all-star local artists, craftspeople, and makers, in a somewhat-commercial-yet-also-sociable context at the new NUA studio. Art, crafts, prints & posters, cards, comics & zines, ceramics, tapes, joolry, objects & curios, foodstuffs, and clothings will all be findable there, made by really great people.

Last-minute presents, things your friends make that you would rather buy from them in person than over the internet, unique objects, messy multiples, cheap art as well as fancy stufffff…. it’s all gonna be here. We hope you will be here too! 

This year, Cardboard Pancakes is hosted by New Urban Arts, and we’re psyched that a portion of the sale’s proceeds will go to supporting NUA’s Arts Mentoring Programs for High School Students in Providence.
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Artography Convening

I spent last week in El Paso TX (from the littlest big of Rhody to the biggest continental big of Texas!) at the second annual Artography convening. New Urban Arts is very proud to be one of nine arts organizations across the country recognized by LINC and the Ford Foundation for exemplary artistic practice and community responsiveness. I attended with an amazing team from our studio: Arts Mentoring Fellows Emmy Bright and Kedrin Frias and youth alumnus and STAB chair CJ. Kedrin shared some of the work we did with our inaugural Institute of Other Significant Pursuits, our three-day leadership institute dedicated to supporting alumni artist mentors working to apply what they learned at New Urban Arts in diverse “other significant pursuits.” Emmy shared our contribution to the X-treme Studio exhibition at Columbia College in Chicago and CJ shared her piece from the 2010 Art Party and discussed the independent study she is currently pursuing post high-school. It was inspiring to have the chance to learn and share with our peers.

You can read more about the program here. These are some of my (scattered) notes from the convening and workshops. By no means is this an exhaustive record or documentation of the convening, this is only some of the pearls of wisdom I remembered to jot down during the conversations and workshops and that I am taking away as I continue to do this work.

 Feel free to comment or correct (or demand to be credited for your quotes!). If this is on facebook, I tagged you for feedback/comments and very likely because I [mis]quoted you. If this is on the blog, comment away please.

Big, big thanks to the entire staff at Leveraging Investments in Creativity, the Artography documentation teamthe Ford Foundation, and everyone at La Mujer Obrera for putting this together and hosting us. Thank you to our peer organizations in the 2009 Artography cohort for your inspiring work.

Thanks and enjoy,

 Jason

 Border Identities Panel

“Identity” is an academic term, if you strip it away, its about your grandfather, it’s personal, it’s about your stories. What foods do you eat, what are your memories? The stories that humanize who we are.

Are you Mexican or American?

 We are contributing to the American identity. Of course America is Latino!

 What are those values that make us Mexican, and how do we make that Mexican American?

I have danced in every night-club in Waikiki for tourists, but I have never compromised our cultural traditions.

Storytelling Workshop with CityLore

When you make films about pop culture, its easy/dangerous to get whoever’s famous, how hard do you want to work to get a complete story? And w/people not used to being interviewed-they need to be led a little bit more. . [but their contributions and stories can be richer and more insightful!]

We do long-term projects in long-term relationships with a community. The secret of this is relationships and trust.

 How do you tell a collective story?

Not just tell the story through the really famous people, the really “camera-ready” people. There are thousands of people and thousands of ways that people have contributed to mambo and hip-hop. [reference to the documentary From Mambo to Hip Hop]

On interviewing: “you want it to feel like a conversation but you want to do most of the listening.”

 We’re making all kinds of decisions when we tell someone else’s stories-its an important responsibility. The feedback piece is a big one doing community storytelling. “Here’s what I heard-is there something I missed, misinterpreted…?”

 Space for Change. Arts Spaces and Community Development.

“Cultural kitchens in communities” are a central part of what a community is supposed to have.

[We focus so much on bringing people together but not enough on giving people home space, “kitchens” to conduct/express their culture/evolve it. It’s one thing to have diverse potlucks but the quality and depth and richness of what people bring to the multi-cultural potluck will be stronger if we invest in cultural kitchens where people can make and experiment with the dishes they are going to bring.]

 Our physical space is an embodiment of our values. Sometimes those values are explicitly stated, in other cases we know them organically.

We are not going into communities saying “we have what you need”.

 Doing work in the community, we consider home to be the foundation for doing work anywhere else.”

 Our values are on the wall. Someone scratched into a desk “we got wings”, [our space] is very welcoming to young people, very accessible, very malleable space. The space transforms for and by young people.

 Kids are attached to tradition, whether we give them credit for it or not.

 So much of our work is creating the container anywhere we are…how do we build on the strengths we have to build a [our own] safe space, a creative space?

 It is important to take an asset-based approach to arts-centered community development. Your space, everything from location, to colors, to layout, to your culture and attitude can encourage participation or discourage it. We are not about the service-delivery model of art and culture. Our participants don’t come to our organizations to “receive” culture from us, but come to be participants, authors of their own stories, cultural “producers”. Space can make that real or not.

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